“It doesn’t really matter what skin colour you are, if you’re talented enough then that’s where you should be”.

I got involved with classical music when I was still in school in South Africa. There were choral music school competitions and the finals took place in winter. And then the opera section was introduced and I thought β€œwhy not try my luck”. I made it to the finals and I made an impression to a few people who later introduced me to Sannie Streicher who was a voice coach. I took lessons with her while I was completing my high school diploma. After graduation I decided to study Bcom Management (business course) which had nothing to do with music but then music found me again. I was still taking singing lessons with Lorraine at this time and I heard about auditions for young artists training programme. I went to audition and got accepted in the 3 year training course with the Black Tie Ensemble which was an opera company with their own training programme. After completing the course I was accepted as a member and started earning money through my talent, which was great I thought.

There’s a lot of people of colour in the industry already, especially singers and for me it doesn’t really matter what skin colour you are, if you’re talented enough then that’s where you should be. It would be nice though if we could get more people of colour in the audience.Β I haven’t had any bad experiences as a black person in the industry and all the good experiences I’ve had I believe had to do with my talent and not my skin colour.

Caroline was one of the soloists in Verdi’s Messa Di Requiem performed by Birmingham Conservatoire. You can listen to her phenomenal voice inΒ concert here and here.

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